The Frame

 

This term refers to the shape and balance of the horse's body when ridden. The frame is directly influenced by  the combined  action of the rider's seat, leg, weight and rein aids.

 

In order to facilitate the exciting developments of modern dressage, the FEI determined that major revisions must be made to the Rulebook, specifically Article 401: Object and General Principles of Dressage which describes the correct frame of the horse.

 

A basic tenet of Classical Dressage stated that the horse must always be ridden with the poll as the highest point and the face approaching the vertical. The exception to this rule was in the performance of extended gaits in which the face was to be in front of the vertical, reflecting the lengthening of the entire frame.  Lip service was also paid to the notion of the “Relative Erection of the Head and Neck”, i.e., through progressive training, using the now-outdated guidelines of the Training Pyramid, the horse would gradually be able to take more weight on his haunches (achieved by the bending of the joints in the hind legs), thus allowing elevation of the forehand.

 

Even before the turn of this century the validity of these guidelines was being questioned, although they were still clearly stated in the FEI rulebook.  Thinking outside the box, Olympic level riders and trainers had discovered that schooling horses to move with their third or fourth cervical vertebra as the highest point freed up the back and allowed for more extravagant action of the front legs, in addition to achieving the elegant curled neck that the public recognized as the hallmark of dressage.  A further benefit of riding horses in the deeper frame was the greater control it afforded riders.  Riders no longer needed to worry about their mounts being distracted by their surrounding as the horses’ field of vision was limited to the area directly below their noses.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Initially the practice of riding the horse deep was confined to schooling, but it was soon discovered that bringing the horses “up” for competition was difficult to achieve.  Riding in the higher frame also sacrificed the leg-flinging movements so beloved of many top judges. 

 

In 2014 the FEI, under the chairmanship of Bengt Fleckchen, was finally persuaded to change its rules to be more in harmony with the awards given top riders in Olympic and World Cup competitions.  The horse was now to be ridden with the croup as the highest point of the spine with the face a minimum of 22 degrees behind the vertical.

 

                                                        

 

The Curb Bit

 

In 2019 the curb was ruled the only legal bit for competition, as much for the safety of the spectators as the riders.  This change was prompted by numerous incidents featuring exuberant horses getting away from their riders when performing extended gaits on the diagonal.  On one notable occasion a particularly brilliant but overly enthusiastic animal trotted right over the marker at M, continuing past the viewing stands and was only brought to a halt when a quick thinking sushi vendor offered him some of his wares.  This particular horse had been feed a diet rich in Omega-3 fatty acids derived from fish protein. Apparently the scent of sushi reminded him of feed time and thus a nasty accident was avoided.

 

In light of this and similar incidents the FEI decided that only the curb bit offered the crucial control needed in crowded competition venues.  An added bonus was the curb’s ability to encourage longitudinal bending in even the most resistant horses.  Not coincidentally, the curb also facilitated riders’ ability to achieve the proper frame of the horse, insuring that the croup was always higher than the withers.  When used in conjunction with the new pulley rein system (featuring a turret that attaches directly to the saddle at the level of the rider’s knees), the curb bit ensured that proper submission could be achieved with a minimal effort on the part of the rider.

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Riding Apparel
Tack
The Horse
Accoutrements
Note the electric tension and dynamism in this frame! This is the kind of vibrant performance demanded by today's Super Prix judges. 
This is the old fashioned frame of the 20th Century.  Calmness and obedience were prized, resulting in prosiac gaits and an overall impression of harmonious monotony.
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Your Pet is a Work of Art
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The Curb Bit

 

In 2019 the curb was ruled the only legal bit for competition, as much for the safety of the spectators as the riders.  This change was prompted by numerous incidents featuring exuberant horses getting away from their riders when performing extended gaits on the diagonal.  On one notable occasion a particularly brilliant but overly enthusiastic animal trotted right over the marker at M, continuing past the viewing stands and was only brought to a halt when a quick thinking sushi vendor offered him some of his wares.  This particular horse had been feed a diet rich in Omega-3 fatty acids derived from fish protein. Apparently the scent of sushi reminded him of feed time and thus a nasty accident was avoided.

 

In light of this and similar incidents the FEI decided that only the curb bit offered the crucial control needed in crowded competition venues.  An added bonus was the curb’s ability to encourage longitudinal bending in even the most resistant horses.  Not coincidentally, the curb also facilitated riders’ ability to achieve the proper frame of the horse, insuring that the croup was always higher than the withers.  When used in conjunction with the new pulley rein system (featuring a turret that attaches directly to the saddle at the level of the rider’s knees), the curb bit ensured that proper submission could be achieved with a minimal effort on the part of the rider.

 

See more bits 

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© Copyright Michelle Guillot 2006 to 2008.  Reproduction of images for commercial use prohibited without express written permission from the author.
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Bits & Bruzzles
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